Från årsksiftet har vi justerad våra priser. För att kostnaden ska motsvara arbetsbördan vid olika projekt har vi gjort så att mastering av enskilda spår blir dyrare medans en längre EP eller album blir billigare. Lite prisexempel Nu kostar 1 spår av medellängd 700:- ex moms, tidigare kostade det 600:- 4 spår kostar nu 1 720:-, tidigare […]
About once a week I get the question -“What do you think about automated mastering services such as Landr?”. There’s a very short and a profoundly more detailed answer. I tend to go for the short answer since the real answer is a lecture and I’ll probably lose you half way through. The short answer is: […]
It seems like if Spotify silently implemented an album mode to their loudness compensation algorithm! I was doing some online loudness experiments when I happened to notice that the volume varied on a track in Spotify depending on how I listened to the track. If I browsed my way to the album it was quieter than […]
ISP, Inter Sample Peak or TP, True Peak, refers to peaks in the analog domain. That is, how your peaks will look after your waveform has been converted from a digital stream within your computer, phone, iPod or CD to electrical impulses that can be amplified and played back through your speakers. Aren’t the waveforms […]
Many streaming services (most actually) have some kind of loudness compensation. What is that? It’s a little robot with a more or less advanced gain knob who adjust the level between songs so that they hit your ear with about the same pressure/volume. Right now different services use their own system. Spotify, iTunes, Beatport, Youtube… […]
It’s always hard to go into detail about what a mastering engineer does, everyone understand that you try to enhance the audio in different ways but as soon you try to explain how it start to get complicated because every sound is different. Here’s a video that show the enhancement bit where very small changes add […]